Onomaturgy vs. Onomastics: An Introduction to the Namecraft of Ursula K. Le Guin

Abstract : Where literary onomastics focuses on names in the context of a narrative, literary onomaturgy focuses on ensembles of names that share common features in their construction, over and beyond the texts in which the individual names appear. This approach gives serious consideration to wordplay and free association that other critical perspectives would treat as irrelevant, yet maintains methodological rigor thanks to its model of name creation. It furthermore treats semantic content as an element of construction, on a par with sound and form, that can be displaced from one name to another. While many of these elements get woven into the narratives in which the names appear, others get left out of the texts, but reappear in the fabrication of other names. In Le Guin's namecraft these internominal relationships cut across different texts and imaginary worlds, are open to great variety, and possess aesthetic properties that make the ensembles worthy of study and admiration on their own merits.
Type de document :
Article dans une revue
Names: A Journal of Onomastics, Maney Publishing, 2011, 59 (3), pp.129-138. 〈10.1179/002777311X12976826704208〉
Liste complète des métadonnées

https://hal-hec.archives-ouvertes.fr/hal-00629668
Contributeur : Amaury Bouvet <>
Soumis le : jeudi 6 octobre 2011 - 14:04:01
Dernière modification le : mercredi 19 décembre 2012 - 20:09:58

Identifiants

Collections

Citation

Christopher Robinson. Onomaturgy vs. Onomastics: An Introduction to the Namecraft of Ursula K. Le Guin. Names: A Journal of Onomastics, Maney Publishing, 2011, 59 (3), pp.129-138. 〈10.1179/002777311X12976826704208〉. 〈hal-00629668〉

Partager

Métriques

Consultations de la notice

203